“Perfectly imperfect.” Totally intriguing.” “Most luxuriant.” “The natural beauty of baroque pearls is derived from their superb luster and irregular, yet beautiful silhouettes. The unique, organic shapes of these exquisite pearls make them a constant marvel to behold, each jewel a conversation piece.”
The above description might also apply to the recent concert by Ensemble Caprice. At first glance the program might have seemed to be a list of familiar composers and a hodgepodge of short works strung together. But what a magnificent string of pearls! The program was actually conceived to tell a series of stories – rather intimate love stories – wherein each (there were eight) told about an aspect of or an event in the relationship of the composer and his lady-love or muse. And there was a common thread linking the stories – that of eternal love transcending time and space.
The eloquent spoken introductions of Matthias Maute and his poetic gestures with red roses set the stage for a most compelling musical drama, brought to life by Matthias Maute and Sophie Larivière on recorders, Susie Napper on baroque cello, and Ziya Tabassian on a variety of percussion instruments. Each artist a superb virtuoso soloist in his and her own right, playing together in a tight-knit ensemble and totally in the moment, proved that the whole is truly greater than the sum of its parts. And now we know firsthand why Ensemble Caprice is considered one of the pre-eminent early music ensembles of our time. It was an stunning performance!